Notes on Attached Garages

To be completely honest, the garage is a necessity in America, and to be even more honest, it’s very hard to properly incorporate a garage into a smallish house without there being some kind of architectural awkwardness.

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Incorporating the garage is a very difficult situation in home design, where you have a certain amount of square-footage per lot and the average American family owns at least two vehicles.

With modern houses, it is easier to conceal the garage because it is easily assimilated into the characteristic minimal, boxlike forms.

The garage is essentially a box, and looks at home on modernist houses not only because of its form, but because of its context. Modern architecture and the industrial revolution went hand in hand. The car and the modern house were born at the same time, and always had one another as context.

In the context of houses designed to look like architectural styles originating before the invention of the car, the attached garage becomes difficult to integrate into the overall design. Attached garages on traditional-style houses will always be in some way architecturally anachronistic. This is why, in neighborhoods filled with historical houses, the building of an attached house is usually banned by neighborhood or homeowners associations. 

Why did we start attaching garages to our houses anyway? 

Early garages imitated the carriage houses people were used to storing their horse drawn buggies in. These buildings were separate from the main estate, though they often mimicked the architecture of the main home. Exterior, separate garages maintained the historical context of the carriage houses of old, allowing historical estates to easily assimilate their aesthetics with the burgeoning car culture. 

The passing of the Federal Highway Act in 1921 enabled an explosion of road building, and more and more people were buying cars to get from place to place.  However, most plots of land in the new post-war suburbs were much too small for a carriage house, and it is in this time period that attached car-storage structures were born.

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The carport was a solution in the early to mid 20th century, one that Frank Lloyd Wright, an early adopter of attached garages, helped to popularize. Before the development of mid-century modernism, carports were rarely integrated into the architecture of the house, and were often ad-hoc structures either attached after the fact to the side of the house, or were separate freestanding structures. Carports seen on historical houses are in fact often additions made by later owners. 

Attached garages with entry into the house began to appear around 1941; however, it wasn’t until the late 50s and early 60s that the attached garage became a standard feature. 

In a 1,000 square foot house, the percent of space devoted to car storage was only 15% in 1930, but by 1960, that number reached 45%. 

The attached garage was heavily marketed as a luxury feature at the time, much like the gameroom or the firepit is today. The selling point of the attached garage was convenience - being able to enter and exit your car without interference of the conditions outside, and a short distance from the car to your interior door so your lazy ass can carry all your groceries in at once.

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However, as family life in the home began to change during and after the post-WWII boom, garages began to serve multiple purposes as the century progressed, including much-needed storage space, and, for most families (who didn’t have the lot space for a separate shed) a makeshift workshop where repairs and other messy activities could take place without worrying about messing up the interior of the house.

While attached garages will always be somewhat out of place on traditional-style houses for the reasons previously mentioned, there are ways to incorporate an attached garage into a traditional home that, although anachronistic, maintain a sense of architectural harmony.

The attached garage is about picking and choosing your battles, as it will never be ideal architecturally (on a traditionally styled house). The main design flaw of attached garages is that the house becomes a garage with a house attached rather than the other way around. This is clearly demonstrated in the first photo of this post. Here are some pointers (and lols) after the gap:

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McMansions 101: Front Entries

What makes a textbook McMansion front entry? Front entries are one of the key indications that a normal house has taken a wrong turn into McMansion territory. 

The McMansion front entrance is riddled with at least one of these four fatal flaws: 

  1. Can’t find the goddamn door. 
  2. Clutter, clutter, clutter
  3. Entryway is out of proportion 
  4. Front façade is so top-heavy it either completely obscures the door or appears to be on the brink of structural collapse

Full Frontal Flaw #1: Can’t find the goddamn door

Okay, it’s not as if the door is lost in space or anything sinister like that. The door isn’t even necessarily drowned out in the façade (that’s number 2). The goddamn door is simply lost in its own entryway. This is usually because there is no termination point above the door itself; the eye often keeps traveling upward - passed the goddamn door and towards the goddamn roof. 

This is the most easily fixed of the fatal flaws, so I have included two positive examples as well. 

In the below example, the door is hidden in two separate ways: 

1. The front door is dwarfed by the height of the columns and obfuscated by the depth of the portico.
2. The columns do not end in a terminating beam which not only makes the façade seem visually and structurally unstable, but also causes the eye to drift upward towards the massive, ugly roof. 

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Here is an example of a suburban house with a proper door-to-darkness and column-to-beam ratio:

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McMansions 101: What Makes a McMansion Bad Architecture?

Sometimes people ask, why is xyz house bad? Asking this question does not imply that the asker has bad taste or no taste whatsoever - it means that they are simply not educated in basic architectural concepts. In this post, I will introduce basic architectural concepts and explain why not all suburban/exurban/residential houses are McMansions, as well as what makes a McMansion especially hideous. 

Disclaimer: These same principles do not always apply to Modernist or even canonically Postmodern architecture. These principles are for the classical or traditional architecture most residential homes are modeled after. 

Design Principle #1: Masses & Voids

The mass is the largest portion of a building. Individual masses become interesting when they are combined together to form a façade. The arrangement of these shapes to create weight is called massing. As the pieces are combined, they are divided into categories: primary and secondary masses (1). 

The primary mass is the largest shape in the building block. The secondary masses are the additional shapes that form the façade of a building. 

Windows, doors, or other openings are called voids. Voids allow creation of negative space that allow for breaks within masses. Placing voids that allow for natural breaks in the mass create balance and rhythm across the building’s elevation. 

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The secondary masses should never compete with the primary mass. 
For example: an oversized projected entry or portico (secondary mass) will overwhelm the house (primary mass) behind it. 
The McMansion has no concept of mass. 
McMansions often have so many secondary masses that the primary mass is reduced to a role of filling in gaps between the secondary masses. An example:

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Another issue with McMansions and mass is the use of too many voids. Some McMansions are so guilty of this they resemble swiss cheese in appearance. In the below example, the masses are so pockmarked with voids, they give the façade an overall appearance of emptiness. 

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Design Principle #2: Balance

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